Good morning,
Through the open window, trills of waking birds entertain me. The harsh
red glow of the clock pierces the dim light of the room. Its
unrelenting march from midnight to four a.m. gives only one bittersweet,
begrudging bounty: A new twenty-four hour cycle. I down a couple of
pills, making a mental check against the day's allotment, and lean
toward the open window. I close my eyes, my fingers dancing over the
keyboard.
I no longer sit in the cool of a Missouri breeze; now I feel the
mountain air and hear the wakening birds of an Ozark spring. They nest
in tall cedars, caressed by the wind; in the crook of a red bud branch,
surrounded by fresh green and delicate crimson; in the hickories, the
black walnuts, the enduring oaks. My pen lies idle over the pages of a
notebook, a paper notebook, with blue lines and scrawled complaints.
Only the birds and I stir; the small town has not yet come to life.
But a rustle in the leaves of the yard's hedge distracts me. From the
narrow porch of our house, I prick my ears. There could be trouble.
I've once caught a glimpse of small bobcat, furtively twitching its tail
and stalking the neighbors' fowl. I have no defense, here on the
porch, a silly city girl in flannel pajamas recording her tentative
commitment to country life. I do not sleep well; in times when the
innocent lie oblivious, I hover on the porch, scanning the dark
mountains for solace.
This day, in the spring of 1988, before the sun has sent its warming
rays above the rugged Boston Mountain Range, I lean forward, straining
to hear the noise again. When it comes, I jump: it has moved closer. I
draw myself against the house. I should flee: I should open the door
beside me and step into the living room. I freeze, instead. A bobcat
fears me more than I fear it, or just as much. I want to see.
The leaves of the shrubbery part. If I were home, in Kansas City, the
intruder could just as easily be a wandering human looking for shelter
or mischief. Its form would crash through the bushes and from its mouth
would come a cold cruel demand. Its eyes would flare and its arms
would brandish a thick stick or a firearm, and I would dive for the
phone on the table just inside the door, frantic, clumsy, dialing for
help. Sirens would wail while I crouched behind a sofa and the intruder
pummeled on my door; then the figure would crash back through the
thicket. Hammering steps would recede into the night, and I might even
be believed, if the bushes bore signs of the hasty retreat. My heart
would stop beating sometime the next day, and I would resolve to
discontinue my nighttime writing, or confine my quest for inspiration to
the four walls of my city home.
But in the country, in the town of 563, the Newton County seat, such
encroachments rarely occur. And this morning, with the sun not yet
lighting the yard as my feet shift on the rough wood of the porch, no
human slips through the bushes. I find myself face to face with a doe
and her fawn.
Now three creatures stand motionless. I have drawn a long full breath,
and I dare not let it escape my lungs. The noise would startle this
pair. The fawn steps forward on uncertain legs. The mother's chest
heaves. I could swear she sees me. She peers intently into my face,
assessing the likelihood that I will unlock my muscles and lunge at her
baby. I hold myself rigid, keeping my arms close to my hips, clutching
the notebook against my thigh, summoning the strength to stay silent.
She leans down, nudging the fawn. Once more, she raises her head, turns
her eye in my direction. The air begins to lighten; dawn approaches.
From a few miles away, the muffled rumble of long-haul trucks drifts
down toward us. Then the rooster in the neighbors' yard lets out one
strong crow,and with a quick flick of her white tail, the mother deer
turns and urges her baby back into the hedge. The branches snap back,
and I see their fleeing forms, brown against the green. In another
moment, they have completely vanished.
I raise one hand to my face, rubbing my eyes, rolling my neck, blinking
rapidly. The other hand has clamped hard on my journal and the pen
closed within its pages; I release my grip, and drop the notebook. Now
the rooster crows in earnest, and the impatient cackling of the hens in
their coop breaks the stillness of the morning air. I shift my stance,
flexing my muscles, lifting and dropping my shoulders, until I can move
freely again. The breaking dawn plays on the mountain tops, the wind
dances in the trees, and the birds join the cacophony as I go into the
house to start the coffee.
Here in the present, the city birds call their morning messages outside
my window, from which I can see that the sun has just barely cleared the
maples to the east. The pills I took an hour ago make my eyes heavy.
While the sun makes its climb in against the city skyline, I might catch
a little sleep, perhaps dreaming, perhaps not.
Mugwumpishly tendered,
Corinne Corley
Saturday, June 8, 2013
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The Missouri Mugwump®
- M. Corinne Corley
- I've been many things in my life: A child, a daughter, a friend; a wife, a mother, a lawyer and a pet-owner. I've given my best to many things and my worst to a few. I live in Brookside, in an airplane bungalow. I'm an eternal optimist and a sometime-poet. If I ever got a poem published in The New Yorker, I would die a happy woman. I'm a proud supporter of the Arts in the California Delta. I vote Democrat, fly a Peace flag, live in a tiny house on wheels, cry at Hallmark commercials, and recycle. I am The Missouri Mugwump. ®
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